With this bundle, you will get all the commercial plug-ins that you can find on the U-he.com website. You will receive six synths and seven effects—everything you need to kickstart your music production and sound design.
The plugins included are ACE, Bazille, Diva, Hive 2, Repro, Zebra Legacy, Twangström, Colour Copy, Uhbik, Presswerk, Satin, Filterscape, MFM2.
ACE
ACE: Any Cable Everywhere
Compact, clear, a careful selection of modules and semi-modular architecture makes ACE easy to learn. Simple but not simplistic. Compact but not limited. Clear but definitely not underpowered. With the ability to connect any output into any input, ACE is a powerful synth with tools and features ready for beginners or seasoned users.
- Semi-modular architecture (with default routing)
- Oscillators include pulse width modulation (PWM), sync, internal ring and cross modulation (FM)
- Polyphonic (up to 16 voices), duophonic or monophonic (retriggered or legato)
- Powerful glide options: constant rate or constant time, percentage range control, per-oscillator offset
- Up to 8 voice unison (stack) with +/−2 octave individual detuning
- 2 multimode analogue-style filters
- 2 ADSR envelopes with fall/rise, snap, singing option for authentic analogue-style voice triggering
- 2 LFOs with 0Hz to 20kHz frequency range (can be used as VCOs)
- 2 multiplex modules for signal mixing / crossfading, ring modulation, amplitude modulation etc.
- 1 syncable and loopable ramp generator
- Mixer with modulation inputs
- MIDI modulation and performance: wheels, velocity, pressure, key follow, gate, 2 user-definable MIDI CC
- Circuit bending options: slop, crosstalk, oscillator cap failure
- 3 effects: chorus/phaser (4 types), delay (7 fixed options), bass and treble controls
- Multichannel MIDI support
- Resizable UI from 70% to 200%
- Over 920 factory presets
- NEW in v1.4.2: Support for Oddsound MTS-ESP
Bazille
Bazille: Monster from the deep
The second spawn of the Berlin Modular project, Bazille is a large polyphonic modular system with digital (PD, FM based) oscillators, multimode filters and plenty of modulation options. With so much connectivity to explore, patching in Bazille should keep you fascinated for many years – it’s definitely a “geek machine”!
- modular, stereo, up to 16-voice polyphonic
- 4 digital oscillators based on phase distortion (PD) with FM and fractal resonance (FR)
- 4 self-oscillating multimode filters with up to 6 parallel outputs each
- 4 ADSR envelopes with Fall/Rise for the sustain stage, overall rate can be modulated
- 2 LFOs with 3 parallel outputs each, unipolar option
- 16-step morphing sequence per voice, with 8 snapshots and 4 output taps
- 2 mapping generators with up to 128 steps, comprehensive drawing tools, presets…
- maps can be used as oscillator waveforms
- 4 Multiplex modules for mixing signals, cross-fading, ring modulation, amplitude modulation etc.
- 4 effects: stereo delay, distortion (6 types), phaser (2 types), spring reverb
- 2x inverter, 2x rectifier, sample & hold, 2x twin lag generators, quantizer
- over 1700 factory presets
- NEW in v1.1.2: Support for Oddsound MTS-ESP
Diva
Diva: Dinosaur Impersonating Virtual Analogue synthesizer.
Diva captures the spirit of five decades of analogue synthesizers. Oscillators, filters, and envelopes from some of the greatest monophonic and polyphonic synths of yesteryear were meticulously modelled for unmatched analogue sound. More than a single synthesizer: Recreate an old favourite or mix-and-match modules to design your unique hybrid.
- Authentic, award-winning analogue sound
- Mix-and-match panels for custom layouts
- Per-voice oscillator detune and user-definable modulation source
- Zero delay feedback (ZDF) filter design for authentic resonance behaviour
- 3 ADS(S)R envelope models based on classic synth hardware with keyboard follow and velocity scaling
- 5 oscillators models based on classic synth hardware
- 5 filter models based on classic synth hardware
- 2 host-syncable LFOs with multiple waveforms, restart options and phase controls
- 2 stereo effects slots, each with chorus (3 modes), phaser (2 modes), plate reverb, delay, rotary speaker
- Host-syncable arpeggiator with continuous rate offset, swing, various progression options
- MIDI learn page and editable list
- Resizable UI from 70% to 200%
- Over 1200 factory presets
- NEW in v1.4.5: Support for Oddsound MTS-ESP
Hive 2
Hive 2: Sleek, streamlined, supercharged
Hive’s clear layout and easy workflow let you create stunning patches in next to no time at all. Although surprisingly CPU-friendly, Hive doesn’t sacrifice flexibility or audio quality. Now packed with more controls than ever, version 2 opens up new dimensions of expression… and sheer fun!
- NEW in v2.1.1: Improved resource management for better performance
- Low CPU usage, 3 different synth engines
- 2 oscillators with standard waveforms or 2D wavetables, up to 16x unison, tunable sub-oscillators
- Drag & drop modulation assignment
- 12 x 2 modulation matrix slots with modifiers for curvature, rectification, quantization, sample & hold, slew rate
- 4 user-definable XY control pads
- Unique 8-step shape sequencer with 4 independent outputs
- Arpeggiator, step sequencer with real-time recording
- Scale quantizer with pre-defined list of scales
- 2 function generators which can serve as extra envelopes, gate generators, LFOs, slew limiters
- 7 rearrangeable effects: distortion, chorus, delay, phaser, EQ, reverb, compressor
- Panel presets for oscillators, filters, envelopes, LFOs, sequencer, FX and modulation matrix
- Solo buttons let you audition individual oscillators and filters during sound design
- Scope to view the audio output or any modulation signal, with freeze option and zoom controls
- 2400+ NKS-ready factory presets by some of our favourite sound designers, many more available online
- Resizable UI from 70% to 200%
- Alternative Izmo skin
- Microtuning support (.tun files)
- NEW in v2.1: Support for Oddsound MTS-ESP
Repro
Repro: analogue, meticulously recreated
Repro dives into the past for analogue inspiration, meticulously modelling two famous synthesizers. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the originals are present in Repro. One product, one installer, two synths.
- Powerful analogue sound using component-level modelling
- 2 multi-wave oscillators: saw/pulse and saw / triangle / pulse
- Tweak page for adjusting component behaviour
- 4-pole resonant lowpass filter
- Proudly monophonic
- Arpeggiator with latch mode
- Twin 32-step sequencer, 64 steps if chained
- Built-in effects: analog-style delay / chorus, EQ / resonator, plate reverb, sonic conditioner, wave folder
- 3 modulation sources controlling 5 destinations
- Sleepy mode to save CPU when Repro-1 is idle
- Host-syncable LFO with 3 waveforms
- Over 500 factory presets
- NEW in v1.1.2: Support for Oddsound MTS-ESP
Zebra
Zebra Legacy: Zebra goes wild!
Our workhorse synthesizer Zebra2 has always been a firm favourite in sound design circles, especially in Hollywood. Many new features have been added over the years, with recent versions including native support for Apple Silicon and VST3. This latest round doesn’t add any new features, however, but actually offers a whole lot more…
- NEW in v2.9: All 500+ factory presets have been refurbished and improved with X/Y assignments. They are fully tagged and NKS-ready
- 4 powerful wavetable oscillators (16 waves) with integrated spectral effects
- 1, 2, 4, or 11 times unison, with detune and stereo spread
- Polyphonic (up to 16 voices), duophonic or mono and legato modes
- 4 assignable X/Y pads
- 4 FM oscillators with 8 alternative waveforms (not only sine)
- 4 regular filters with 23 different modes
- 4 cross-modulation filters (XMF)
- 12-slot modulation matrix with depth modulation from a second source
- Flexible signal routing: 4×12 main patching grid, 3×6 effects patching grid
- 4 syncable multi-stage envelope generators (MSEG) with up to 32 segments each
- 4 per-voice LFOs plus 2 global LFOs
- 21 stereo effects: 2× chorus/flanger, 2× delay, 2× EQ, 2× compressor, 2× reverb and more
- Resizable UI from 70% to 200%
- MIDI learn page and editable list
- NEW in v2.9.3: Support for Oddsound MTS-ESP
Twangström
Twangström: Shake, Rattle, and Roll
A flexible spring reverb box-of-tricks. If you’re familiar with Bazille, you might already have come across its built-in spring unit. We took that one, then modelled two more reverb tanks, paired it with drive section, filter stage, envelope, and mod matrix. It emulates a hand-picked selection of the most popular units you will find in classic guitar and instrument amplifiers, recreating the odd character of real springs.
- shakeable springs
- 3 different reverberation tanks, inspired by the most popular ones built in the guitar & instrument amps that made rock ‘n roll
- tasty drive & tone stage for heating-up and colouring the sound
- multi-mode filter, with variable type blend
- four-flavours envelope stage, picking up the signal from either input, output or external sidechain
- LFO module, 8 different types & waveforms, variable time base & syncable
- comprehensive modulation matrix, for realtime control of all the parameters
- independent input and feedback routing options allow all possible stereo or mono combinations
- 76 factory presets, NKS-compatible
- UI instantly resizable from 70% to 200%
- custom remote control via MIDI CC, 14-bit resolution option
Colour Copy
Colour Copy: a bucketful of delay
A virtual analog effect inspired by classic bucket-brigade delays (BBD), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic BBD units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an FX plug-in.
- BBD-style analog delay, for the smoothest possible pitch effects
- unique colour morphing, with saturation for non-linear effects such as distortion / resonance
- 1ms to 1s or host-synched time base, scaled via rate control from 25% to 400%
- dynamic ducking via envelope follower
- LFO (with dynamic frequency and depth) can modulate rate, tap position or amplitude.
- MIDI note tracking and Freeze button (infinite loop) for wildest experimental effects
- powerful preset browser with tag and/or text search functions
- independent input and feedback routing options allow all possible stereo or mono combinations
- 100 factory presets, NKS-compatible
- UI instantly resizable from 70% to 200%
- custom remote control via MIDI CC, 14-bit resolution option
- NEW in v1.0.1: Support for Oddsound MTS-ESP
Uhbik
Uhbik: Subtle to spectacular
A collection of nine sophisticated studio effects. Sleek, intuitive and powerful. Each effect comes as a separate plug-in, so you only load what you need when you need it. Create crazy effects chains or add a delicate final touch to your projects. Uhbik supports common surround formats. From subtle to spectacular, Uhbik is ready.
Meet the family
Uhbik is a diverse set of audio processing tools, with familiar controls plus some unusual options for more creative possibilities. They all share a common philosophy: high quality sound and ease of use.
The Uhbiks share certain features, most notably surround sound: All of them can handle up to 8 audio channels including popular formats such as quadrophony, 5.1 and 7.1. No special version required, no confusing extra controls. Everything is right there and ready to go.
Shared features:
- Up to 8-channel surround sound
- Resizeable UI (70% to 200%)
- Soft bypass
- Wet signal gain (+/− 12dB)
All Uhbik plugins are included: Uhbik-A, Uhbik-D, Uhbik-F, Uhbik-G, Uhbik-P, Uhbik-Q, Runciter, Uhbik-S, Uhbik-T.
Presswerk
Presswerk: Dynamics processor with musical soul
Presswerk is more than an emulation of a single hardware compressor. Like Satin, Presswerk is a toolkit, drawing ideas and inspiration from a number of sources. It starts with warmth of classic analogue units and adds features only possible in the digital realm. The result is a powerful compressor with a rich feature set and a very musical soul.
Presswerk was designed to fit into any workflow, no matter what task you throw at it. Presswerk gives you the tools for better sound.
- 6 special views for better workflow: Easy, Vocal, Drum, Bus, M/S and Limiter
- Capable of internal sidechaining, with bipolar delay, low cut and high cut filters (6 or 12dB per octave)
- Internal parallel (New York) compression
- M/S mode
- Skinnable UI
- Over 120 factory presets for common compression tasks
Satin
Satin: Luscious tape machine
Nothing else quite sounds like tape. Satin puts the legacy of tape recording in your hands: from top-of-the-line multi-track consoles to humble cassette decks. All the good (saturation, transient smoothing, compression) as well as the bad (noise modulation, flutter, hiss) qualities are under your control. Construct your (im)perfect tape machine.
- Lush analogue tape sound
- Includes historical developments in tape technology
- Control up to 8 instances of Satin at once using the Group panel
- 5 popular noise reduction encoder / decoder models
- Service panel: Controls for hiss, wow and flutter, bias, head gap, azimuth, saturation, high frequency compression and more
- Modern or vintage tape material
- Internal sample rate up to 384kHz
- 5 circuit models for recording and reproduction EQs
- Stereo delay mode (2 or 4 heads) with multiple-mono, cross or ping-pong routing
- Tape flange mode with classic through-zero flanging
- Adjustable tape speed from 1.87 to 30ips
- Pre-emphasis and soft clipping options
- Preset browser with search functions
- NKS FX compatible
- Resizable UI from 70% to 200%
- Skinnable UI
- 120+ factory presets
Filterscape
Filterscape 1.5: A trio of plug-ins with morphing EQ
At the core of all three plugins is the distinctive EQ, capable of seamlessly transitioning between 8 different “snapshots”. Each EQ band’s frequency and amplitude can be dynamically modulated, even from different sources for each snapshot! With a sleek and future-proof new design, Filterscape has become more visually appealing and more comfortable to use.
- 2 spectral oscillators with 15 waveform options including wavetables
- EQ identical to Filterscape FX, but polyphonic!
- Ring modulation, hard sync
- Sub-oscillator with 3 waveforms
- Noise generator
- 3 LFOs: 1 global, 2 per-voice
- 3 envelope generators with fall/rise and 4 shape modes
- Combined arpeggiator / sequencer
- Multimode filter: lowpass, bandpass, highpass
- Polyphonic, duophonic or monophonic (retrigger or legato)
- 2 effects: delay, chorus
- Overhauled + expanded factory library – the 200+ new VA presets make use of the new waveforms and filters
MFM2
MFM2: More Feedback Machine
- New in version 2.5: input section with gain, filter and transient balance
- 4 delay lines with independent absolute time or tempo-synced modes
- Each delay line has its own multimode filter: 2x lowpass, bandpass, 2x highpass, bandreject or allpass
- 6 default delay configurations or user matrix (freely route signals between all 4 delay lines)
- 4 syncable LFOs with 8 waveform options or user definable shapes
- 2 syncable and loopable multi-stage envelope generator (MSEG) modulation sources
- 4-slot modulation matrix with depth modulation from a second source
- 2 channel-pair effects: soft clipper, bit crusher, phaser, frequency shifter, filter…
- New in version 2.5: granular (pitch shift, reverse delays) and diffusor (reverb)
- 2 channel-pair compressor/limiters, with peak or maximize modes
- New in version 2.5: output shield (soft clipper) with strength and threshold options
- Scalable UI from 70% to 200%
- 400+ factory presets
System Requirements for the plugins: ACE, Bazille, Diva, Hive 2, Repro, Zebra 2, Twangström, Colour Copy, Presswerk, Satin and MFM2
Mac
- Mac OS X 10.10 or newer (Intel and M1 Mac Supported) (64-bit only)
- AU2, VST2, VST3
Windows
- Windows 7 or newer (32 / 64-bit)
- VST2, VST3
Minimum Requirements
- Host software / DAW
- 1GB RAM, more recommended
- 50MB free disk space
- 1000 × 600 or larger display
- Modern CPU required
- Intel Nehalem or newer, AMD Bulldozer or newer (for Windows / Linux)
- Intel Nehalem or newer, Apple M1 (for Mac)
- Linux – glibc version 2.28 or newer
Plugin Formats:
These plugins are not standalone products, they require host software. These plugins are compatible with nearly all DAWs.
These plugins are Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.
System Requirements for the plugin: Uhbik
Mac
- Mac OS X 10.9 or newer (32 / 64-bit)
- AU2, VST2, VST3
*Uhbik plugin doesn’t have native Silicon support yet.
Windows
- Windows 7 or newer (32 / 64-bit)
- VST2, VST3
Minimum Requirements
- Host software / DAW
- 1GB RAM, more recommended
- 50MB free disk space
Plugin Formats:
Uhbik is not a standalone product, it requires host software. Uhbik is compatible with nearly all DAWs.
System Requirements for the plugin: Filterscape
Mac
- Mac OS X 10.10 or newer (Intel and M1 Mac Supported) (64-bit only)
- AU2, VST2, VST3
Windows
- Windows 7 or newer (32 / 64-bit)
- VST2,VST3
Minimum Requirements
- Host software / DAW
- 1GB RAM, more recommended
- 50MB free disk space
- 1000 × 600 or larger display
- Modern CPU required, For Windows: Intel Nehalem or newer, AMD Bulldozer or newer. For MAc: Intel Nehalem or newer, Apple M1
Plugin Formats:
Filterscape is not a standalone product, it requires host software. Filterscape is compatible with nearly all DAWs.
Special Note for Pro Tools Users:
If you use Pro Tools as a Daw, please refer to the U-he official website and read the requirements for each plugin. You can also contact us in case you need any assistance.
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